Best color correction for scene software#
Best color correction for scene free#

TIP #1 вЂ“ SHOOT WITH A FLAT OR LOG PROFILE I just finished editing and Color Correcting his film. I would like to thank Michael Evanet, the director of вЂњHWYвЂќ, for allowing me to share his footage for this blog. I would like to focus on several specific tips that will allow the indie filmmaker to be as effective as possible in creating imagery that will help serve the story. There are so many different elements to Color Correction that trying to fit it all into one blog would be futile. With these 3 controls, you can mold images almost at will. Even when working with LEVELS or CURVES, you rely on numericals but still have 3 sliders (at least) to make your adjustments. Every program uses one of the 3 naming conventions above, but in essence they are all the same. These are the three interchangeable assignments used to describe what portion of the image you will be working with. LIFT-GAMMA-GAIN / SHADOWS-MIDTONES-HILIGHTS / BLACKS-MIDS-WHITES

Best color correction for scene free#

The tools available are so numerous, powerful and often free (Davinci Resolve Lite!) that you have no excuse not to explore these options further before you embark on the Grading journey. Therein lies the challengeвЂ¦The challenge of choices. It can be subtle and invisible or over-the-top and uber-stylized. Being that this is purely creative, there is no wrong or rightвЂ¦only what the DP, director and colorist feel is appropriate for the story.

Best color correction for scene software#

Trust the SCOPES and let them guide you into accurate and creative decision making.Д¬OLOR GRADING is the creative process where decisions are made to further enhance or establish a new visual tone to the project through software including: introducing new color themes, re- lighting within a frame, films stock emulations, color gradients and a slew of other choices. Without them you are literally flying blind and solely trusting your eyes, which have to adjust to room light ambience, fatigue, funky monitors and other factors constantly. The use of SCOPES (Waveform, Vectroscope, Parade) is critical to this step and luckily most NLEвЂ™s and Grading software have them built-in. This tedious and mechanical process is essential and in its own way, an art form. Each clip is adjusted to match color temperature to a predefined choice for each scene.

To get on the same page, letвЂ™s quickly go over some terminology that clarifies what is what in this realm.Д¬OLOR CORRECTION is the process where every clip is manually tweaked to get a good exposure and balance of light. That saidвЂ¦the tips I would like to share with you are applicable to all Color Correction software. I am ecstatic to be integrating Speedgrade into my workflow as it will be part of the upcoming CS6 release. I choose to use Adobe CS5.5 for my Color post work and bounce between After Effects, Photoshop and Premiere as I love the seamless integration it provides. Shane asked me to take this opportunity and pass on some tips and tricks I have learned over the years of Coloring features, shorts, ads, music videos and documentaries. The smaller the budget and tighter the deadlineвЂ¦the more often this becomes true. In the indie film world, jobs are more often merged and unified and Color Correction is more and more falling into the hands of the Editor.

The challenges and choices are many and it comes with great responsibility if you are the one applying the Color Correction and Color Grade. You can also make images look garish, ugly and destroy all the hard work the crew did to capture those images on the day of the shoot. If you have excellent footage, then the sky is the limit. You can take average footage and really make it pop, sing and enhance the viewing experience of your project. Color correction is just one step of the entire filmmaking processвЂ¦but oh, what a difference it can make.